Spidey Kicks Butt: The Goblin’s Legacy or Why the Original Green Goblin is Spider-Man’s Greatest Enemy

Why is the original Green Goblin so popular, particularly since he is a nasty, murdering SOB? I don’t think I’m the only one fascinated with this particular bad guy. What is the Goblin’s allure over the many others that Spidey has tangled with over the years? Norman was virtually a semi-regular character for more than 20 years after his “death” because he frequently showed up in flashbacks, dream sequences, hallucinations, paintings, and numerous references. And beyond that, the spider-writers over the years couldn’t keep their hands off the Goblin concept, continually inventing new Goblins to take Norman’s place, including the misguided attempt to create a heroic Green Goblin. Naturally, with one exception, all of the Goblins paled in comparison to the original, which frankly, is one reason I think it was too tempting to bring him back.

When we see how Norman stacks up against the other Goblins, we begin to appreciate why he’s such a great bad guy:

  • Harry Osborn – Norman’s son, and the logical successor to the Goblin Legacy. Well, frankly, I never thought Harry was much of a Goblin. In fact, during my research for this article, I was surprised how few times he had actually become the Goblin. After his first stint as the “bad” Goblin in Amazing Spider-Man #136-137, the next two times he suited up were in self-defense and when he had all his marbles (very briefly to take on Bart Hamilton in Amazing #180, and then the Macendale Hobgoblin in Amazing #312, more than 11 years later). Then, there was his attempt to make the Goblin a hero and redeem his father’s name in Web of Spider-Man #66-67. “The Child Within” storyline from Spectacular Spider-Man #178-184 signaled the beginning of the end for Harry as he began his final descent into the madness which peaked in Spectacular #190 before finally ending with Harry’s death in Spectacular #200. Unfortunately, I always felt that most of Harry’s appearances were ineffective. “The Child Within” lasted too long, accomplished very little, and in that and #190 Harry did little more than rant and rave like a spoiled, unhappy child (which, well, he was). For the most part, he was a pitiable character who never really conveyed a strong sense of menace. For a long time, he didn’t have even have super powers, so you knew that he wouldn’t give Peter much of a fight. At the end, in #200, when Harry became a more interesting villain, and began to develop a wider agenda than merely torturing Peter, (including the planned murder of Norman Osborn’s old associates) he died, a victim of an experimental Goblin formula.
  • Bart Hamilton – Harry’s shrink and the 3rd Green Goblin. His tenure was brief, lasting only from Amazing Spider-Man #176-#180. He had no powers, and his transformation from sympathetic shrink to would-be ruler of the criminal underworld was unconvincing. He died in an explosion at the power plant that was later revealed to be the location of Jackal’s secret laboratory. The fact that no one has bothered to resurrect Hamilton in any way, shape, or form illustrates his lack of effectiveness.
  • Phil Urich – the 4th Green Goblin. Since he was a crime fighter, and his tenure lasted only one year in a short-lived series, there’s really no point in discussing him. He was supposed to be the 5th Green Goblin as well, as Roger Stern and Glen Greenburg wanted to reveal him as Osborn’s Goblin lackey in the “Goblins of the Gate” storyline. Now that would have been interesting, but the higher-ups at Marvel vetoed it, feeling that making the 5th Goblin a disintegrating clone was more interesting and dramatic (sigh).
  • Roderick Kingsley – the first Hobgoblin. Actually, Roddy is a great villain. He’s rich, smart, and level-headed, in some ways making him more dangerous than Norman. Roddy became a costumed criminal for the thrill it gave him, and remained emotionally distant from the successes and failures of the trade, which helped him avoid the madness that claimed some of the other Goblins. This distance allowed him to both court and summarily dispatch allies and lackies with little remorse, including Ned Leeds, whom he framed as the Hobgoblin and set up to be murdered. However, while a great villain in his own right, Roddy still wasn’t quite as good a character as the original Green Goblins because he didn’t have the personal demons that hounded the Osborns. We find out in the mini-series Hobgoblin Lives Kingsley actually became bored with being the Hobgoblin. In a realistic take, Kingsley realized that being a costumed crime figure was not nearly as profitable as some of his other, even legitimate, ventures. He was also far more intelligent and far-sighted than the mobs he sought to control, which made his Hobgoblin career even more exasperating. So, he gave it up. However, that could never happen with Norman – because Norman needs to be the Green Goblin. As we saw in the “Gathering of the Five” and “The Final Chapter,” even after he went to great pains to dissasociate himself from the Goblin in the mind of the public, Norman simply could not give up being the Goblin. Even during the seven years he was in hiding in Europe, although he did not assume the Goblin identity, Norman took on another role as the leader of the Cabal of Scrier.
  • Jason Macendale – the second Hobgoblin. Macendale was a goon, pure and simple, and not a particularly interesting one. Why Marvel thought this loser was worthy of a prolonged career as a Goblin is beyond me, but his reign lasted longer than Kingsley’s. The fact that the Macendale Goblin took so many different forms, from simply wearing the costume with no powers, to looking like and having the powers of a demon, to having powers and being quasi-bionic (or whatever that garish creature was at the end of the Clone Saga), proved that he was never really effective. Thankfully, Roger Stern, Hobby’s creator, took Macendale permanently (?) out of the picture in the Hobgoblin Lives! mini-series.
  • Demogoblin – The demon goblin that was split from Macendale and took on a live of its own. A limited-use villain who was soon dispatched.
  • “Normie” Osborn – Harry’s son who has taken up the Goblin mantle in the Spider-Girl series. Normie suffers from some of the same problems Harry did originally – no super powers and a limited agenda. For Normie to be an effective Goblin he needs to get a dose of the Goblin formula and do something else besides terrorize the Parkers.

It’s easy to point to all of the grief that Norman Osborn has given Peter Parker over the years (murdering Gwen Stacy and Ben Reilly, engineering the clone saga, indirectly driving his own son, Peter’s best friend, insane, etc.) and then declare him as Spidey’s arch-enemy by default – but it’s more than that. A writer could have any villain do these sorts of nasty things, but it seems that over the years they have tended to give the Green Goblin the lion’s share of the really dirty work of messing with Spidey’s head and family. After all, it was Norman that Marvel chose to “dig up” in order to bail out the Clone Saga.

Admittedly, I’m kind of partial to Norman because he’s an older man, and is not in that ideal demographic of young people that advertisers are constantly chasing after. I mean, he’s a grandfather. How many super-villains are grandfathers, plotting evil while their grandchild plays at their feet? I think that’s pretty cool.

But, I think that the primary reason for the Goblin’s appeal is that he is the Spidey villain who best exemplifies the dark side of human nature. The Goblin is an example of the abuse of power, and the result of its use for self-gratification rather than for the benefit of others.

Norman is a man who lives with demons. We read about people all the time who appear to be perfectly normal, even likeable in all outward appearances, and then bodies are discovered buried under their house, or parts of bodies are stored in their freezer. Beyond the extreme examples I’ve just given, most of us probably even know people who have grappled with severe depression, mental illness, or other conditions in which they may be happy and smiling one moment, and given to fits of near uncontrollable rage the next. Norman’s bouts of insanity in the midst of periods of normalcy is a reminder of just how fragile sanity is.

Osborn also unleashes that unrelenting anger all of us possess from time to time, but for the most part, keep under control. The combination of the economic power and the physical power he possesses removed most of the inhibitions that keep the rest of us in check. That’s why I never believed that the exploding Goblin formula drove Osborn insane. He probably already was insane, but being granted super powers removed what little inhibitions he might have had about abusing his power and position.

It is this rage that Osborn struggles with that makes him a compelling character. Not sympathetic, but compelling. For an illustration of Norman’s moods, Spectacular Spider-Man #250 written by J.M. Dematteis, is excellent. One moment, Norman is suave and charming, and yet during another moment, he is consumed with an anger that he is barely able to control. Even Kingsley, Osborn’s equal physically, is reluctant to precipitate the unleasing of Osborn’s rage.

But I don’t want to diss Spidey’s other villains, or ignore the fact that some of them have troubled pasts, simply because I think Norman is his best. Doctor Octopus, for example, is a great villain with certain complexities. However, one of the primary things that distinguishes Norman from Spidey’s other villains is that his life as the Green Goblin is (ostensibly) secret from the general public. Osborn is the monster that walks unknown among us. And unlike Spidey’s other villains, who if they reared their ugly head any number of superheroes could take them out – Osborn is Spidey’s personal devil, particularly when he stays out of costume. Since his Goblin identity is a secret, no other hero would even consider taking out citizen Osborn. And Peter knows that if his career as Spider-Man ends for whatever reason, Osborn will be able to run around unchecked. Peter knows that he is the only one who recognizes Osborn for what he is. (The only possible exception is Daredevil, since Spidey told that Osborn was the original Green Goblin. I have no reason to believe that Matt Murdock would not believe Peter. In fact, I’d love to see a scene where Daredevil warns Osborn that if anything does happen to Spidey, he’ll stay on his ass.)

Additionally, Otto Octavious is only Doc Ock when he has the mechanical tentacles. Adrian Toomes is only the Vulture when he is wearing his costume with the power pack that allows him to fly. Eddie Brock is only Venom when he is bonded with the alien symbiote. Quentin Beck is Mysterio only when he’s wearing the costume with all the funky illusory gadgets. None of them are villainous, or even particularly dangerous, outside of their costume trappings. However, Norman Osborn is always dangerous, always the Green Goblin, whether or not he’s wearing the costume.

Another reason that the original Green Goblin is such a great villain is the relationship that has developed between Norman Osborn and Peter Parker, which is inflamed by the sharp differences in their respective personalities. Their mutual hatred plays out in their civilian identities, and is not limited to their battles in costume. Most of Spidey’s other villains would have no feelings about Peter Parker one way or the other if they even knew of his existence – it’s his alter ego they hate. But the Goblin doesn’t just hate Spider-Man for thwarting his nefarious schemes, he also hates Peter Parker for a host of reasons.

For one, Norman Osborn has spent his entire life in the pursuit of power, and has largely succeeded. His failed gamble which drove him mad at the end of the “Gathering of Five” storyline was an attempt to gain even more power. Alex Ross, the highly regarded writer who gave us MarvelsKingdom Come and others, obviously recognized this aspect of Osborn’s personality when in his Earth X series (which ultimately, I thought was a disappointment), he established Osborn as the President of the United States in that grim and dismal future. However, it is apparent that Osborn’s accumulation of power has not brought him either happiness or peace.

Conversely, Peter Parker doesn’t really have anything close to what Norman Osborn has materially. He is perpetually close to financial ruin, and Peter Parker by himself, without his web-slinging alter-ego, has no particular notoriety or influence. However, Peter is far more at peace with himself than Norman is, even though he doesn’t have a fraction of Norman’s material blessings, and has had just as many, if not more, personal tragedies.

How Peter and Norman deal with these tragedies also distinguishes them. Peter never killed the burglar for murdering Ben Parker, and he didn’t kill Norman for any number of his crimes. How would Norman react if a petty burglar had murdered one of his relatives (assuming he actually cared about that relative – you never know with Norman). Do we need to elaborate? Peter also possesses an unceasing optimism in the face of these relentless personal tragedies – which Osborn knows he simply does not have the character to have. Peter’s tragedies made him a hero, Osborn’s turned him into a hateful, bitter, murderous villain. Although Peter continually fights against his personal demons, he ultimately triumphs over them. Osborn was long ago completely consumed by his.

Peter is also capable of building long-lasting positive relationships with people. Osborn is not. Peter has always had a loving and supportive family, whether it be his aunt and uncle, or his wife, something Osborn has never had. In Spectacular Spider-Man Annual #14, what little we know of Osborn’s background shows that his own father was a hateful, self-loathing, abusive man. This cycle of abuse persisted in Osborn’s relationship with his own son. Peter has also had enduring friendships whereas Osborn has had none – not really. Jonah Jameson was probably the closest thing to a friend Osborn once had – but Norman’s relentless need to control, to dominate, and to use to his ultimate advantage, destroyed that as well as most of his other relationships. The death of Osborn’s wife is apparently a key to his behavior, but that’s something we’ve yet to see very little of (yet – hint, hint).

I think that one of the reasons Osborn kidnapped baby May Parker (and yes, he kidnapped her – she’s not dead – although Kaine probably has her now), is not only does it “even the score” (to use Norman’s words in Peter Parker #75 when he comments “that which I took from you tonight…”) for Harry’s death (which Norman blames on Peter), but it would have provided him the ability to corrupt Peter’s and May’s future relationship. It is apparent that Norman had a poor relationship with both his own father and his son. He cannot bear the thought of his greatest enemy having a normal, loving relationship with his own child since Osborn has no conception of such a thing himself. There are other possibilities as well that would make interesting alternative world stories. Although it would smack of a blatant Zorro-movie ripoff – I would like to see an alternative future that takes place at the same time as the current Spider-Girl titles in which May has actually been raised by Norman Osborn, and believes that Osborn is her true father (he’d have to have her hairstyle surgically altered, though). In a bizarre twist, May would turn out to be the child that Norman always wanted Harry to be – strong, independent, and able to stand up for herself, even against Osborn. Naturally, Osborn would have spent this entire time poisoning her mind against Spider-Man, and ultimately sending her to battle against her real father. My lame resolution to this story would be to have May be in great danger and Osborn sacrificing himself to save her, oddly enough, because he had grown to love her as his own child. Then, May would chose to take up the Goblin mantle against Peter to avenge Osborn – providing Norman with his ultimate revenge, even in death.

The rage that Norman inspires in Peter is also interesting. For the most part, Peter is a fairly mild-mannered guy, but Norman pushes him to the brink like no other villain. In Spectacular #250, Spidey crashes into Norman’s townhouse and beats the shit out of him because Norman has made him so mad. He’s prepared to do it again in Peter Parker #88 until Osborn, playing more mind games, jumps off a building, which forces Spidey to rescue him.

Before I conclude, there’s just one more little thing. Wouldn’t we all like to believe that if we were suddenly granted super powers, we would be like Peter Parker, and use them for the common good, and not for our own self-gratification, or to extract vengeance for all of the real and imagined slights people have committed against us? But really, how many of us would be Peter Parker?

And how many of us would be Norman Osborn? Really? Be honest.

Something to think about.

That’s why Norman Osborn is Spider-Man’s greatest enemy.

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