11 Comments

1. At least Kaine continue his streak of killing lame villains off. Grim Hunter, Raptor, The Queen, Shathra…and now Solus.

2. @#9- We really don’t know Slott’s standing with the company. It’s not like Marvel is going to come out and say they are displeased with him. I’ve been speaking with someone else regarding this, and when you think about it, Slott has been relying far too much upon a support writer despite the fact that he has a significantly reduced workload compared to other writers who not only write more Marvel books than Slott does, but also write other non-Marvel work and operate in other capacities within the company. Slott JUST had ASM for the longest time, and STILL couldn’t meet his deadlines without having to bring in Christos Gage to finish up his scripts. That might not go down well with other departments in the company. If you’ll notice, that practice has stopped now that Lowe is the editor on the books.

   In regards to not being replaced, again we have to remember two things. One is that the Spider-Offices are their own department. They can tie into the other series, and may have to be affected by line wide events to keep consistency within the company. But that doesn’t mean they are subject to the same creative directives that other departments go through. The Marvel NOW initiative was more of an Avengers centric event, more focused on those titles than any others. The X-Books also didn’t seem to be all that affected by it. It could be less that Slott is a “company favorite” and more that they could market the Superior direction as tangentially tying into that company wide marketing push. And again in regards to his standing with the company, Slott wasn’t part of the “Architects” branding that was touted a few years ago. One would think that, if Slott was that important in the grand scheme of things, he’d be a part of that. But he wasn’t.

   At the end of the day, Slott is a freelance writer. Bigger creators have been removed from bigger titles, or left altogether either of their own accord or being forced out. Chris Claremont left the X-Men after 17 years because he didn’t want to go in the direction editorial wanted. Peter David left the Incredible Hulk because he didn’t want to go in the direction they wanted. And other simply have decided to move on. Again, we assume Slott is locked in, will never leave, and because he got “Good sales” that he is immoveable because of that, and will ONLY go away once the sales start to dip. But good sales didn’t prevent something like OMD from coming to pass. Bad sales didn’t reverse the story direction of BND. There are a lot of factors that go into deciding who stays and who goes. Sure, Slott got good sales with Superior and with ASM#1. Or they could look at it that it was marketed well, which is certainly reinforced with the strong sales of Star Wars #1, which had NO story buzz on it. Marvel could decide “Well, he got us good sales with Superior. We can’t just replace him.” Or they could be thinking “Well, he’s been on the title almost a decade, and while sales are good, the reviews aren’t and we are getting a lot more complaints than normal. I think it’s time for a change in direction.”

   Just from a general impression, it feels like we are closer to the end of Slott’s run than we ever have been before. I wouldn’t be surprised if his last story on the title happens around January to March of 2016, in time for another relaunch of the series.

3. @8 I get what you mean, but I think editorially, Marvel really loves Slott. He’s a company-guy and when they shook everyone up for Marvel Now, he was the ONLY writer that got to stay in the franchise he was currently writing. That, and Slott has made it plainly clear that they’re going to have to pry Spider-Man away from his cold dead hands. I don’t see him losing interest or relinquishing. Yeah, things could always change, and never say never, but between the fact that the book is selling well and Slott never seems to be butting heads with editorial (like JMS clearly did many times over), I don’t expect anything to change. When you add in that people outside of our respective echo chambers seem to love what Slott is doing, and that makes it even more unlikely.

   In terms of writers to take over, I know arrangements can be made but I guess what I meant is I just don’t see someone in the stable that I think would offer much better. ASM is a flagship title so they’re going to want to be a big gun on the book, which means someone who I believe has a good grasp on the character like a Spencer or Kevin Shinick isn’t going to get it, while the other big guns either don’t interest me or don’t inspire confidence. I’m not a huge fan of Jason Aaron and I haven’t read enough of Gillen to form an opinion. I know Mark Waid’s name gets thrown out there, but outside of a few great stories, don’t know if he’s an improvement over Slott. I think Spidey is a tough character to write because you need to work in the humor (but not making it goofy) while also emphasizing his noble heroic side. I feel over the past 10 years we’ve either gotten goofball Spidey or super serious no fun Spidey (which, despite some people saying otherwise, was what we got in the last year or so of JMS). Anyway, appreciate your feedback as always here and on Chasing.

4. @#7- The book “selling” is not a guarantee of a writer leaving or being removed. JMS’ Spider-Man sales were consistently high, but he wasn’t removed because sales started to dip, but because the book was going to be relaunched and they wanted a different set of writers on the title. Plans to replace him were well underway several years before it was decided that it was time for him to leave, and still during a time when he was getting remarkably good numbers.

   So just because sales are good it doesn’t mean that Slott is immune to being removed from the title. He may have decided to leave by a certain point anyway, deciding he’s told all the stories he wants to tell with the series. And even if he wants to stick around, the “good sales” might not prevent him from being replaced. Heck, bad sales didn’t prevent him from being removed from BND or even during Big Time. Just because Superior managed to sell well and AMS#1 got great sales it doesn’t mean that Slott has become immune to editorial influence, any more than Star Wars #1 getting good sales mean Jason Aaron is untouchable.

   It might not seem there is anyone to replace Slott now given the busy schedule, but if the editors want it, they’ll give the writers they want enough time to clear up their schedule to have room for a Spider-Man title. Look at Jason Aaron with Star Wars and Kieron Gillen with Darth Vader. They were told almost a year before the titles came out that they were going to be working on them, so they had time to wrap things up. So, if the editors know that they will want a reboot of the series around ASM #31 or 32, for example, or that they are planning a relaunch of the series for next March, then that gives writers they want to come onto the title plenty of time to wrap things up and start working on the comics.

5. @BD I would say considering how I haven’t enjoyed this book since “Goblin Nation” that yes, it’s time for a change. Unfortunately, the book sells and people seem to love it. I think the readers of our respective sites have recognized the flaws of Slott’s writing over the past year, but anytime I try to carry that conversation beyond our own echo chambers, it’s met with hostility because people think the book has never been better. So with all that in mind, I don’t see anything changing. That and I don’t know who Marvel has in their stable that I think would be all that better. Matt Fraction would probably start out great but the book would start missing deadlines and the quality will suffer. Peter David is great but I mean, I don’t know if going back to the past is really what this book needs right now. Maybe if Nick Spencer continues to turn heads (Ant-Man #1 was great and we all know how great Superior Foes was), he can eventually assume the title.

6. @5
   This isn’t a knock against (other) Andrew, but I just don’t understand the appeal of this arc. And this isn’t about me being a Slott hater, either. I enjoyed ‘Superior Spider-Man.’ But this Spider-Verse is more bloated and convoluted and non-grounded than anything that came out of the much maligned 90’s. Like I said above, this mess makes the clone-saga seem straight-forward.

   The main problem is this is not a Spidey story. I feel like I’m watching some overly crowded DragonballZ anime or something. I know it’s been a verrrrry looong time since Spidey stories were considered street-level or grounded, but why do we need these constant, universe-in-the-balance events? Why can’t we just have stories like Spidey taking down the Juggernaut, or saving a train full of passengers? Something that hinges on characterization and not ….. whatever this is….. I don’t even know how to define it…..

   It’s ironic that a storyline called Spider-Verse has so little to do with the spirit of the Spider-Man comics.

   But yes, it’s really time for Slott to go. A spider-writer hasn’t overstayed his welcome this much since Howard Mackie.

7. @3 I think that if you have the time and money to invest in every section of Spider-Verse there are some really great stories. However most of these stories are ons that are more disconnected from the event itself. For example I throughly enjoyed both issues of just Spider-Verse, Edge Of Spider-Verse was great, and Spider-Verse Team-Up are for me the best things to come out of this event. As for the Amazing Spider-Man issues themselves my enjoyment of it has waned from my initial enjoyment, and its true they cannot be read as stand alones at all. Still in my opinion as a part of a larger narrative they have enough quality in them for me to not feel like I’ve wasted my time. But that’s just my view, and I can totally understand you viewpoint. I really hope this is Slott’s swansong and we get someone new.

8. @Chasing Amazing,
   Since you’re not a fan of this arc, are you wanting some new blood on the title? Do you think it’s time for Slott to step down?

9. I’ve been one of the biggest Slott defenders on the internet and have even argued as much with reviewers on this site when I thought they were unfairly crapping on Superior, but “Spider-Verse” is a bloated mess and the sooner it ends the better. No action, no character, no emotion, no pathos. Just gimmicks and shiny objects meant to distract from the fact that there is no “there” there. I hear a lot of people say this event is “fun” and therefore a good read, but I don’t see what’s fun about a bunch of people standing around waiting to get their butts kicked, talking about strategy and having to recruit new people every issue. Peter is so far away from the action at this point, I don’t even know why he’s in this story, and even the characters that Slott has put the focus on are so inconsistently written that it’s hard to feel any kind of emotional connection to this story. I really don’t care what happens next and find myself buying this book out of habit more than need to read it.

10. This dumb story is so convoluted and overstuffed it makes the clone-saga look straightforward and simple.

11. I found this review really spot on. The weight of the pros outweighed the abundance of cons and I’m really loving the Spider-Female team up and it makes me really sad they’ll be operating in their own corners post SV (though hopefully we can see some sort of Secret Wars crossover between the 3)