The Spider-Island saga reaches it’s climactic finish when the Queen bugs out into a gigantic spider! As the Marvel Super Heroes do battle to try and save New York, Peter and MJ seek to put an end to the virus infection…with SCIENCE!!!
“Spider-Island part 6: BOSS BATTLE”
Written by Dan Slott
Illustrated by Humberto Ramos
Inked by Victor Olazaba and Karl Kesel
Colored by Edgar Delgado
Lettered by VC’s Joe Caramagna
THE PLOT: The Queen’s turned into a giant spider for whatever reason, and proceeds to do battle with Venom, Captain Steve America, the X-Men and Shang Chi and his amazing friends. Meanwhile Kaine joins Spidey in an attempt to bring the queen down with the sonic-proof costume last seen in the inital “Big Time storyline”. Unbeknownst to all, Mary Jane, still with her Spider-Powers tags along behind.
LONG STORY SHORT: Peter realizes that he can use Doctor Octopus’ miniature octobots to carry out the cure for the rest of the infected, thereby cutting off the source of the Queen’s power. He does so with gay abandon, giving Kaine the chance to deliver the Hyper Combo Finish necessary to bypass Queen’s Sonic Scream, effectively KOing her once and for all. With Mary Jane at his side, Spider-Man looks on the recovering city with the knowledge that he has single handedly saved all of New York.
MY THOUGHTS: With Spider-Island just about over, the benefit of hindsight puts this penultimate chapter into certain perspective. It’s been said before and the title of this issue pretty much confirms that this is our current generation’s Maximum Carnage. This crossover storyline was essentially made to be nothing more than a potential video game tie-in, especially with the slew of Spider-Man games that keep coming out every year. Now I’m not going to say that for this reason Spider-Island sucked, but it’s just so obvious that it was meant to be a popcorn-style bit of three month filler that it does influence my feelings on the story as a whole. This issue in particular definitely felt like the third act of a movie, or last act of a multi-level platformer. There is a lot to like here, as well as some things I really didn’t like. Let’s not start to drag and jump into it.
First and foremost on the discussion list is Kaine. I have to say that I was not really expecting him to go from a monster at the beginning of Spider-Island to a savior by the end, and being a fan of the Clone Saga I was really happy to see him included. His portrayal in this however is a bit of an issue because he’s written to be almost a completely different character. Essentially, he’s Ben Reilly. The quipping, the back and forth with Peter, it’s Ben. No question about it. It’s not so much a horrible thing but it really begs the question why not just bring back Ben Reilly? Kaine and Ben are both distinguishable from Peter enough that if there’s any concern for having multiple Peter Parkers around, just read the issues to learn how they act. Again, I did like Kaine’s role and I actually find myself liking the growing number of Spider-Man spin-off characters. First we had Flash as Venom, now Kaine who is assuredly going to be the new Scarlet Spider. In the same sense of the Bat-Family titles, I like a growing list of people Spider-Man knows he can count on. The whole solitary superhero gimmick is wearing a little thin with him, because it’s not really dynamic. Peter can still work on his own, but him having a support group that he’s intimately familiar with like Kaine is a very interesting idea. Lastly, people have commented and question how Kaine had those stingers at the end. I agree that it makes no sense, but then again it makes even less sense as to how he was brought back to life. It’s an oddity, but it didn’t bother me.
Moving on to a character that did bother me, the Queen in this issue and really for the entirety of the story is by far one of the most horribly bland, uninteresting, cliche’d, stock characters in comic books. Granted, I haven’t read the Paul Jenkins story she premiered in since it first hit the stands so I don’t remember her personality too well in that. I am a fan of Paul Jenkins as a writer, more so than Slott, so my bias leads me to believe that she was a better character than portrayed here. Crazy Chris commented on the sexualization of the character in Venom#8, (which again I didn’t read) but that just furthers the point that the Queen has nothing to her. At the risk of making too much of a talking point concerning a different title, sexually dominant bad girls in comics was passee by the mid-90s. It just goes to show the length of effort in making a compelling story Slott and the other writers had for this. Rephrasing, I don’t want to slander the writers of the various miniseries because I really have just stuck with ASM. At the same time when it comes down to it, it’s a story about a bunch of super heroes fighting giant spiders. As a plot it’s par for the course of the comic book medium, but in essence that’s all there is to it. Some people won’t ask for much more than that, a lot of people frankly. But I just cannot raise my arms and claim that this was anything more than a distraction, amusing or otherwise, in my regularly scheduled comic book reading. So when there’s an opportunity to make an at-all interesting villain like the Queen, it’s a shame when she’s written to be so damn boring and bland. She turns into a giant spider and wants to rule the world by populating it with giant spiders. That’s not too far of a cry from ruling the world with clones or moles or whatever else Marvel has had happen in the past. As a villain, she’s nothing. She’s just a final boss to beat up on.
As an addendum, Madame Web was just a boring and typical. Saying she mustn’t interfere, calling the Queen a god (which is irritating solely on the fact that for a god she’s beaten fairly immediately. She’s barely the rank of Galactus, the Shir Empire or Thanos.) and basically taking up space. “Ohh, can’t they see it’s hopeless?” Gimmie a break.Was this suppose to add any tension? She shouldn’t have been in the story and I hope she won’t show up for at least another “season”, just like her animated counterpart from the 90s show.
Commenting about the artwork, I’ve mentioned throughout the arc that Ramos has been looking inconsistent compared to his past work. In the last issue I figured it may’ve been the presence of two inkers. In this issue, the second inker to Victor Olazaba is Karl Kesel. He must be the positive factor because Ramos is back to form in this. There are some great looking double-page splashes in this comic, and some of the larger panels have great looking images as well. All the action was kinetic and exciting, and the different perspective shots like Spidey and MJ at the Police Headquarters looked nice as well. There was a cinematic touch to the art that I hadn’t seen for a few issues in the past that Ramos excels at. He gives it his all in this issue and does a really good job.
There was more of the Slott-style dialogue that I didn’t like, mainly said from the supporting characters and heroes. Why during a crisis would someone make a joke about dying? It’s just silly humor that isn’t very funny.
But for all the pros and cons, the best aspect of this issue was almost the worst. Again…AGAIN we have Peter needlessly doubting himself, thinking he’s useless and impotent in a fight to save the world. Why? He gets hit ONCE and all of a sudden gives up.
“I finally get it. I’ve got Spider Powers. You’ve got ’em. Everyone’s got ’em. I know when I’m out of my league. Right here, right now there’s nothing special about me. I can’t…”
This was completely idiotic, and frankly out of character for Peter. Plently of times throughout his career, he’s knowingly gone up against odds stacked up against him and fought anyway. Other times he’s been rather haughty about his intelligence and physical abilities. The scene was for MJ to give another “Got get’em Tiger” type of speech, and it is entirely unwelcome. Spider-Man would not give up like that, he should not give up like that, and it makes me seriously question just how much of the character has Slott actually read.
But luckily, the scene then shifts into Peter saving the day. I wasn’t crazy about him yelling “I’m saving everyone!” as I think it would’ve been more poignant to either think to himself or say it softly to himself, (and it’s not like he hasn’t ever before) but it’s exactly what the current run of ASM needs. Spidey using science to save the day is always a recurring theme of the character, and it was cool to see it after all the issues of nonstop violence. Mary Jane fighting at his side was my favorite aspect of it, and her silently saying “I love you” was great for all of us Peter/MJ shippers. I doubt seriously anything will come of this, but it still tugged at the heartstrings. It’s also interesting to note that in the issue with Peter and MJ fighting side-by-side, with the cover of them together and her saying “I love you”, we get zero mention of Carlie Cooper. I’m not jumping for joy because of it, although I’m not crying either. That still hammers home the fact that her relationship with Peter is a complete joke as he’s not thought of her at all since he lost her in the giant spider rampage. I know they’re not all that close in their relationship, but the fact remains that for a protagonist with a girlfriend, Peter never thinks of Carlie ever. Unless he’s with her. It’s just a reiteration of the mishandling of that relationship. If it’s going to get any weight, add more tension with Mary Jane. That’s the only reason I can think of that would have fans interested in Carlie’s character.
So Spider-Island is on it’s way out and has been a video game playthrough of a ride. While it’s not been all that impressive of a story, there’ve been worse arcs and issues. Eager to see what comes next.
3/5 webs
Good review. You know, I enjoyed some of the Spider-Island run and I’ve enjoyed some of Slott’s run. I think you nailed the problem with Slott’s characterization of Peter. But I think it extends to the whole state of the book and the Marvel U overall. All of a sudden, Spidey is just a joke. He is not powerful, he is not brave, he is just a punchline. What happened to the Spider-Man that beat Fire Lord. Who went toe to toe with Morlun (I know, he lost, but…). I saw a glimpse of him in the Fear Itself Spider-man #2 when he took on the Thing. But otherwise, I don’t see him anywhere. Also, I can’t see how you can get him back the way Slott writes him and Ramos draws him. Can you imagine any of the classic Spidey storylines with this art? I’m not saying I haven’t enjoyed any of the run, but I’m just saying with this creative team, I can’t see it ever getting to a point of heroism and gravity along with the humor that made the best of the Spidey runs we all love.
At least he got his Spider sense back.
Thanks for the review. Spider-Island has been good but at the same time I am glad that it is over so we can move on. I’m looking forward to STEFANO CASELLI returning next week.
I’m just glad that the spider-sense is back.
Am I the only one who enjoyed Spider-Island? I loved it from start to end. And this ending felt good for once. Kaine back (granted,he sound like Ben, but i honestly don’t care as long as I have anything that remotly feels like a Ben story), MJ and Peter being together, Peter finaly getting out of his bad phase (except for horizon labs job, point me to ONE major victory since the other).
@Donovan: I guess since Kaine went through the same “Spider-up then back to human” that Peter did in disassembled and The other, he must have gotten the same powers.
@Donovan – That’s how it came across. Videogame plots have evolved quite a bit since the days of the Super Nintendo.
@#7: I wasn’t meaning it as a putdown whatsoever.
You tricky son of a biscuit!
I don’t like it when people use “videogame ride” as some sort of a putdown. It ignores the compelling videogame stories (some better than comic books even) that we have in this modern era.
When did I credit Slott as artist?
#2 I agree a writer is an artist but he credited Slott as the illustrater
@2 Dexter Fletcher–The thing is, I think Peter seemingly forgetting all about Carlie in all the chaos and snuggling up with MJ WAS intentional, because I think we might see Peter and Carlie break-up next issue, particularly if it involves Peter realizing he’s forgotten all about Carlie and especially if he sees her after she catches him and MJ in what appears to be a compromising position. After all, Slott appears to have been setting up how Peter has been digging himself a deeper and deeper hole when it comes to being honest with Carlie about him being Spider-Man and perhaps Spider-Island serves as the breaking point. Or maybe I’m just being too optimistic.
“Spider-Man would not give up like that, he should not give up like that, and it makes me seriously question just how much of the character has Slott actually read.”
To be fair, I understand what Slott was going for during that scene. Because everybody had spider-powers and everyone else had been taking charge of the situation all throughout the event despite the fact that he wanted to help, Peter felt like he no longer mattered and that he was no longer “special” anymore. So given the situation he was in, it’s not so unheard of that Mary Jane–who because she didn’t develop powers until late and saw how happy Peter was with Carlie also felt like she no longer mattered either–to remind Peter why he was special in the first place. I would agree that, given how Peter and MJ had a similar moment in issue #668, it could be seen as repetitive. However, it still served the purpose in setting up that having cool powers wasn’t what made Spider-Man a superhero but rather who he was as a person.
I like to think writers are artists in a way, after all, there painting whole scenes with words and the artist has to follow the instructions. All part of the same parcel really.
I agree, Carlie is a joke of a character and her relationship with Peter is a farce. I for one loved that Slott uintentionally rewarded Carlie detractors by having her not just ignored, but to make her completly helpless to do anything about the crisis, when he could easily have had her “rise to the challenge” and prove herself to Peter and show MJ was right in supporting her…but now any continued “furthering” of their relationship looks lame and depressing compared to the triumphant team-up of soul mates Peter and MJ and the star-crossed moment they shared at the conclusion of the story
I’ve long had a theory Peter’s only with Carlie to show MJ he can “move on” from her, the writing, however unintentional, has now grounded this theory in absolute beleif. Cut the cancer out Marvel, you’ve effectivly killed any interest in this tiresome forced drivel
Good review
Im not even a big MJ fan but I liked the way they worked together in this issue
You put Dan Slott as the artist credits you silly goose