THE AMAZING SPIDER-MAN #649 Review

AMAZING SPIDER-MAN #649

“Kill To Be You”

Writer: Dan Slott

Penciler: Humberto Ramos

Inker: Carlos Cuevas

Colorist: Edgar Delgado

Cover Art: Humberto Ramos and Edgar Delgado

Be warned – there are SPOILERS ahead!

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The Plot

A flashback shows the Hobgoblin cutting a swath through a South American dictatorship.  Cut to modern times, in which Hobby makes a return to the New York City crime scene.  Retrieving some equipment from a bunker belonging to Norman Osborn, the Hobgoblin comes across former (heroic) Green Goblin Phil Urich.  After a brief encounter, Urich kills the Hobgoblin.  Spider-Man and the Black Cat save Norah from some Goblin Cultists.  Peter has a scare regarding Carlie and his secret identity.  The Daily Bugle returns, and we learn that Phil has resumed Goblin-ing to impress Norah.  Aunt May escorts Peter to his first day of work.  Steve Rogers convinces Mayor Jameson to give Spider-Man the key to the city.  Mac Gargan continues to suffer after being forcibly removed from the symbiote.  Peter gets his lab set up and has an unproductive day at work.  The new Hobgoblin attacks and incapacitates Spider-Man.

The Good

Following the scheme from last issue, Dan Slott manages to juggle multiple storylines and character plots without causing the entire thing to crack under its own weight.  We have the Phil/Hobgoblin plotline, Peter’s new job, the rise of the Goblin Cult, the rebirth of the Daily Bugle, a Mac Gargan plotline, and more.  Tons of characters show up, including the underused Mayor Jameson and the rarely-seen Black Cat.  All the while, Slott manages to give them all enough to do that it doesn’t feel like they’re showing up solely for face time – for the most part, they all contribute to what’s occurring in the story.

Unlike the last time, this Hobgoblin mystery was handled quickly and effectively.  Regardless of whether or not you like the way it played out (and boy, do I dislike it … see “The Ugly”), Slott stuck to his guns and dealt with the issue quickly.  Avoiding the mistakes made with Jackpot and Menace, we get a fast reveal and a moderately convincing reason why Phil has put on the Hobgoblin mask, given the circumstances.  Knowing the identity of the Hobgoblin this early in the story may actually make it a better one, because as readers we can understand the motivations and state of the character better than we would if he remained a blank slate.

Considering the attention paid to the changes in Peter’s job situation and Front Line / The Daily Bugle, both are handled in a fairly mundane manner.  Sure, both are called out at some point to remind us – including one wallbanger moment that I will mention later – but unlike what the hype led us to believe, neither are the focus of the story.  It’s a departure from what became the norm in the last couple of years of having every minute change waved in our faces for the purpose of showing us how groundbreaking and new everything in Brand New Day was supposed to be (when in reality, most of it rehashed older, better stories).  I like it better this way, because it allows the story to develop more organically.  This is especially important given how many storylines are being followed at once – reader fatigue could quickly become an issue if every plotline was treated with undue importance.

Knowing what lies ahead in the near future or not, the pieces are coming together nicely.  Slott is using these issues effectively to set up elements that will play out over the course of his run.  There are enough interesting, open-ended subplots to continue to draw me into the book, regardless of the quality of the story at hand.  In particular, I want to see where this Mac Gargan subplot is headed.  (While it’s obvious from preview material that there will be a new Venom, it’s not immediately obvious which character will don the symbiote.)

The Bad

You all know by now that I’m a big fan of Tom DeFalco’s Spider-Girl (and not the current imposter), and one of the best supporting characters in that book was Phil Urich.  Using his experience as a former heroic Green Goblin, Phil guided Mayday in her early career.  It only made sense, considering that the 1990s Green Goblin series written by DeFalco and starring Phil Urich was essentially the blueprint upon which Spider-Girl was based.  Phil has always been a good kid dealing with weighty problems.  The Phil Urich we see here, however, is a complete departure for the character – to the point that it isn’t even remotely the same guy.  Not only does he act in a wildly different manner, but he also bears no physical resemblance to the Phil that we’ve seen elsewhere.  I’m peripherally aware that this is following up on developments in the recently-cancelled Loners, but (a) it was probably done in conjunction with Slott’s plans, and (b) it probably didn’t make sense to the three people reading the book anyway.  This isn’t character derailment, this is a character head-on train collision.

Outside of this poor characterization, Slott’s script contains plenty of juvenile humor and head-scratching gaffes.  Following up on the fart joke from last issue, we get jokes about pornography, BDSM, and the size of Randy Robertson’s junk.  That’s right folks, The Amazing Spider-Man has now fallen to the level of dick and fart jokes.  It’s sickening.  At the same time, one moment in particular stood out for me – after two pages of buildup, Aunt May drops Peter off at his new workplace and beams with pride that Peter has finally gotten work in the scientific field.  Cue the record scratch!  This is NOT the first time that Peter has gotten work as a scientist.  Remember TriCorp?  (Slott should – he ripped off the first TriCorp story last issue.)  Or Peter’s work as a graduate assistant – both times?  This is the “promise” from The Amazing Spider-Man #1 that Slott teased several times while hyping up his run (go ahead and check if you don’t believe me … it’s the first panel of page three).  Once again, another “groundbreaking” and “new” development of this era is a rehash of something done before.  I’m also not keen on Slott’s solution for the problem of storing Peter’s Spidey equipment (which he moves not  because of cleaning ladies in the hotel, but because Carlie Cooper suddenly possesses superhuman levels of perception), which introduces a host of logistical problems that should be addressed in the coming issues.

Under the pencil of Humberto Ramos, this book has a very hit-or-miss quality.  As usual, his faces are a mess.  The same character will have a pointed chin in one panel, a box chin in the next panel, and a round chin in the following panel.  Action scenes are confusing and full of awkwardly disproportionate anatomy.  Camera choices stray too far too one end of the spectrum or another with regards to the level of zoom.  It’s just a mess, not only of illustration but also of construction.

The Ugly

Do I really need to introduce this one?

After years of fan requests – an actual case of “because you demanded it,” for a change – the Hobgoblin was brought back only to be killed immediately.  Yes, they left themselves some wiggle room in case they don’t have the balls to stick by their story, but the effect is what it is.  As far as we know, Roderick Kingsley is pretty damn dead.

No character’s return has been more anticipated than the Hobgoblin.  Any fan of the comic growing up in the 80s – which admittedly is before my time – grew up with the Hobgoblin as “their” goblin.  Others, like myself, that have gone back and read the stories after the fact fell in love with the character.  Kingsley was the sane goblin, the one with a calculating mind and ruthlessness to match.  In my opinion, he was the perfect villain.  There has been a lot of chatter on message boards across the internet that this was an intentional insult to the fans, and that’s not an argument that I’m willing to directly address in this space.  Regardless of whether or not it was an intentional slap (and boy, does Steve Wacker’s obnoxious baiting make it seem like it is), this is another case of a writer lazily establishing the menace of his character by having him/her easily take out an established character in a way that makes little to no sense.  This is a trope that I’ve complained about before, and this is one of its worst applications to date.

The Bottom Line

This is another mediocre issue.  The book isn’t bad per se, but it sure isn’t good either.  There’s enough here to maintain hope, but the execution of the story is sapping that hope quickly.  2.5 out of 5 webheads.

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63 Comments

  1. All this griping on the Porno remarks is so childish. As Children when our parents barged in on our privacy and we reacted nervously, our parents would most likely ask if we are hiding porn. With internet I’m sure young kids are looking at porn online, I know I did when I had the chance. This book is really great I give it 4 out of 5 just cause of the sorry art.

  2. Actually, it works. Mainstream Phil Urich has always been a bit unstable and he lost it near the end of Loners. Here is where he completely loses it.

    -I so diasgree with you here there. Having Phil as the sane good goblin was what made him more interesting. Turning him into another Macendale-lite goblin is going to work against him in the long run. Plus, I don’t see Urich being the sinister mastermind threat that Kinglsey is-it doesn’t matter how vicious they make Urich or how many heads he cuts off, he will primarily just be seen as a Peter Parker knockoff with the goblin angle.

    As for killing Kingsly, alot of what made him cool was added to Norman Osborn, so Kingsly became obsolete.

    -Again big disagreement. Adding some of Kingsley’s traits to Norman did more harm than good as this made Norman into a caricature of his former self as he is now nothing more than a Lex Luthor clone as well as a Snidely Whiplash analogue. Having Kingsley around would have given him someone to keep him on his toes and would have made his return more interesting. Besides, giving us crappy goblins like Menace and co. who are even less interesting and not Norman’s equals was not a better alternative.

    Also, Araña isn’t an “imposter”, taht’s a racist thing to say. God ofrbid they finaly give a monority female hero their own ongoing(Which doesn’t happen often enough).

    -As for Arana being the new Spider Girl, I have to agree that she will never be mentioned in the same breath as May Parker as I felt she was just forced on the Spider-fans. There is no way that this new series with her will make it to #100 like May’s did.

  3. Actually, it works. Mainstream Phil Urich has always been a bit unstable and he lost it near the end of Loners. Here is where he completely loses it.

    As for killing Kingsly, alot of what made him cool was added to Norman Osborn, so Kingsly became obsolete.

    Also, Araña isn’t an “imposter”, taht’s a racist thing to say. God ofrbid they finaly give a monority female hero their own ongoing(Which doesn’t happen often enough).

  4. “Crass”: –adjective, -er, -est.
    1. without refinement, delicacy, or sensitivity; gross; obtuse; stupid: crass commercialism; a crass misrepresentation of the facts.
    2. Archaic . thick; coarse.

    It looks to me that these guys actually think these are all great ideas, and they (naturally) don’t see their own bad taste. That’s why they’re so irritated at fans — a lot of fan feedback grates against their own crassness.

  5. I only wish it had been MJ that Phil had beheaded, then maybe we could get some rest from concerns about OMD

    I still think decapitating characters like Menace, Gabe Stacey or Anna Kravinoff would have been better, Meehaul

  6. I only wish it had been MJ that Phil had beheaded, then maybe we could get some rest from concerns about OMD. 🙂

  7. Draco – Not everything is a conspiracy theory, man. Wacker says it’s was all Dan Slott’s pitch.

    It may have been Slott’s idea but ask yourself one question, Two-Bit: Do you think that they would allow Slott to do that to Norman Osborn? I don’t think so. If he even thought about having Osborn get killed off and then replaced by a d-list character in this fashion, Quesada and co. would have shot down that proposal faster than a speeding bullet( No pun intended). Marvel’s message behind this story is: “Roderick Kingsley is dead. Deal with it. Don’t bother us again about bringing him back-plus we are giving you a Lord Of The Rings/ Legend Of Zelda reject in his place just to rub it in”. I would love to know how Roger Stern reacted when he heard about this injustice done to his character-I can imagine him wanting to do a proposal for a new miniseries called “The Hobgoblin Still Lives” in which Kingsley is revealed to still be alive and reverse this crap by Slott. It’s such a shame that the fans have to suffer so needlessly due to the biases of the writers and editorial staff. Why couldn’t they have had Kill Phil Urich decapitate some characters nobody really cares about like Menace or the Stacey Twins( Especially Gabe)?

  8. This is the first to story arch that I am really enjoy in quite a while… not quite sure what I like some much but I am really digging (to my own shock as I disliked most of BND). I think it might be the Peter is no longer presented as a deadbeat loser as he was (in my opinion) for most of BND.

  9. Besides the pointless death of the HobGoblin, my biggest complaint is the constant use of the phrase “Big Time”. It’s on the cover, bigger than the damn logo! Enough already. I counted it 3 times this issue.

  10. This whole story wreaked of editorial mandate to me and I personally felt that Quesada had a lot to do with how this story played out by bringing back the original Hobgoblin only to kill him off so abruptly and then give us another goblin wannabe in his place-who I guarantee you will be forgotten about very quickly should Dan Slott ever leave the book. The message that Marvel was trying to convey is that they hate the Hobgoblin so they only brought him back to shut the fans up and then kill him off so that nobody ever asks for him to brought back again. Plus, I am sure they are counting on everybody hating the new Hobgoblin so that nobody ever asks for the character to be brought back in any form whatsover as well. To add insult to injury, Phil Urich, the guy who is supposed to be the good goblin is apparently now another asshole villain for Spiderman to take out very soon. Hasn’t the editorial staff and writers done enough to destroy the Spiderman franchise already by erasing the marriage and having Gwen get knocked up by Norman? Now they make one of Spiderman’s greatest enemies go out like a punk to a lesser character-who himself is acting out of character. What’s next? Cletus Casady gets eviscerated by Aunt Anna who then becomes the new Carnage?
    On a separate note, I shudder to think how they will ruin Ben Reilly with all the talk of bringing him back.

  11. This isn’t the first time that the Spider-fans have suffered because of Quesada’s prejudices, my fellow bloggers.

  12. personally i dont have any problem with the killing of Hobgoblin because i feel he isnt really dead. However, i still cant get over the porn joke in this issue or the farting joke in the last one. Mr. Dan Slott! you are the writer that i have a great deal of respect for. please dont use such jokes in an Amazing Spider-man comic because it is so outta place and inappropriate and it is not welcome at all.

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