by CrazyChris » Tue Apr 13, 2010 5:28 pm
I have mixed feelings on this.
Pros:
-Ultimate Spider-Man, despite what George is saying, has been a consistently good series month after month for a decade. It’s the McDonald’s Quarter Pounder of Spider-Man runs; sure, it ain’t filet mignon, but at least you get what you expecting every time and the quality is always within certain acceptable parameters.
-Based on the promotional poster, it looks like it will be based on Mark Bagley’s art style, which is FAR more appealing than the style of Spectacular Spider-Man.
-The “writing for the trade” for which USM has been criticized actually makes it more adaptable to television than the classic stories. The reason Bendis takes so many issues to tell the story is that he writes with cinematic pacing in mind, whereas writers from past decades were more concerned with cramming as much information into every panel as possible, even at the sacrifice of a more organic flow to the storytelling. When I read a Bendis comic, I almost feel like I’m watching a movie on paper. That means his work is ready-made for television.
Cons:
-This probably means Spectacular Spider-Man is gone, which means no more of Greg Weisman’s Spider-Man. That’s a damn shame.
-I don’t get what the point of starting a new series about a high school-aged Spider-Man is when we already have a perfectly good one that already has two seasons of groundwork laid out. It seems redundant to have to establish a whole new series when any story you can tell in the new continuity can be readily told in the existing one. Also, Spec was already influenced by USM. For example, it’s interpretation of Eddie Brock is pretty much lifted right from Bendis’s Venom story.