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Ultimate Marvel
Team-Up Reviewed by Den Dotson
Coming Soon
Ultimate
Team-Up #4-Ultimate Spiderman and Ultimate Iron Man
Plot: This issue opens with Peter Parker
reading a report on the Ultimate version of Tony Stark and remarkably
Iron Man. In the Ultimate universe everyone knows Tony Stark is Iron Man
and this seems to cause him no trouble other than people constantly
trying to buy the secrets to "Irontech". Peter's report wins
him a chance to go to a science expo sponsored by Stark Industries.
Meanwhile, Tony Stark refuses an offer to buy the secrets to Irontech
from a representative of the government of Latveria. To those of us in
the know this is the country ruled by Dr. Doom. Dr. Doom never to be one
to take "no" for an answer sends his Mandroids to capture Iron
Man. Peter Parker is there at the Science Expo and witnesses the attack.
The issue ends with Iron Man disabled and Peter Parker standing over him
as he asks for help.
Likes: This issue featured the artwork of
Mike Allred. Allred has long been a mainstream comic outsider known for
his "campy" style reminiscent of the beloved artists of the
sixties. His work is an acquired taste one I became familiar with and
fell in love with on his own Madman comic. Here telling a slightly
"campy" story it fits in nicely and gives the story a retro
feel. Further, I would have to say unlike the previous issues of Team-Up
the writing here shines with a nice light sense of humor and a good
flow. The retro artwork and writing would have been all wrong if the
plot had been dark in any way. Overall, I enjoyed the welcome change of
pace.
Dislikes: I had two small problems with
this issue. One small and the other not so small. First, the small
problem. Tony Stark refers to himself as being in his thirties, however,
he is drawn so he looks more like he is in his fifties. For someone in
their thirties I don't need to feel any older than I do and I'm sure
Tony Stark doesn't either. Second, is the Mandroids. Here they are
portrayed as a hi-tech version of the Keystone Cops. Characters who
spend panels squabbling about "radio silence" should not be
able to so easily disable Iron Man. Furthermore, if Dr. Doom has the
technology to quickly disable Iron Man on a whim why would he need the
Irontech secrets? I think Bendis needs to slow down a little when he is
writing. This issue had a nice feel to it until the Mandroids slipped
into caricature. The lighter touch at the beginning was much better
suited to this story.
Rating: I enjoyed the retro feel to the
artwork and story. Up until the Keystone Mandroids that is. I would have
to give this issue
out of 4 web heads...hoping for better things to come.
Ultimate
Marvel Team Up #3
Plot: This issue is the second part of the
first meeting between Ultimate Spiderman and Ultimate Hulk. Last issue
we saw Spidey being held by his face in the massive hand of the Hulk
just before Hulk is about to smash him. Spidey narrowly (and lamely)
escapes. Then he develops a plan to lure the Hulk away from the crowds
of people. The place Spidey picks is the waterfront. In a warehouse the
Hulk enjoys a little fishy snack and then reverts to Bruce Banner.
Before Spidey can get the scoop on who this guy is the military shows up
and blow up the building.
Likes: The first thing I really liked about
both of these issues featuring the Hulk is Phil Hester and Ande Parks
artwork. The style reminded me of storyboards for an animated TV show.
Lots of action and strong direction. You always have a clear idea of
where the Hulk "IS" and "WHERE HE IS GOING". I have
always thought the best Hulk stories were about action. The Hulk's
opponent can talk all they want to the Hulk but most of the answers will
be "Hulk Smash" and then some smashing to demonstrate. The
artwork here though extremely stylized kept the action going and flowed
from panel to panel. Secondly, I liked Spidey trying to reason out what
to do next while getting the crap kicked out of him. His concern was
always for the people around him and how to keep them at a safe
distance. True hero motivations. My third like is the cover. I really
like the painted computer-enhanced look here. Comics seem to be playing
"hard to get" with using the artistic possibilities of
computers and the great enhancements they can give to the artwork. As a
working computer-aided animator, illustrator, and graphic artist of 16
years, I can say they are missing the boat. The covers of the Ultimates
and the new issue of Xtreme X-Men show the incredible possibility of
comic art enhanced by computers.
Dislikes: My major disappointment here was
the writing. Perhaps Brian Michael Bendis is overworked or he has
trouble working in short story arcs, I don't know. What I do know is he
is wonderful on Ultimate Spiderman and terrible here. In the last issue
Spiderman hits the Hulk with a car and it barely slows him down. Here
the Hulk is holding Spidey by the face and about to "smash"
him when the Hulk is hit by a lamppost and drops him. A lap-post should
be about as distracting as a fly to the Hulk. Also, too much is given
away without it moving the story forward. Spidey has a "Vicki Vale
in the Batcave" moment when he sees the Hulk change back to Bruce
Banner. This told new readers about the Hulk but Spidey didn't need to
see it. It would have been much more interesting to see the Hulk change
out of sight and then Spidey lose him because he doesn't know to be
looking for a scrawny scientist. Perhaps, Marvel should consider giving
Bendis more issues to flesh out his stories or pick a writer who is
better suited to the short format.
Rating: I appreciated the animation like
artwork here and the full out action. However, the characters are too
flat and the plot too full of quick fixes. I am still hoping this title
comes up to the level of the other Ultimates. I would have to give this
issue
out of 4 web heads
Reviewed by Den Dotson
Ultimate
Marvel Team-Up #2
The Good: The storyline...Brian Michael
Bendis impressed me with the plot. Peter and Ben Ulrich end up together
in the DB cafeteria at the same time and discuss trig when Ben is called
to the phone. Long story short; an Army general's troops have been
chasing a large green mutation from the Nevada desert. Said general (who
knows Ben from previous journalistic endeavors) calls Ben to alert him
the monstrosity is headed straight for Manhattan. JJJ seems a little
impressed with the idea, as it ties in with the Mutant Section he plans
to publish on Sunday. That monstrosity is none other than the Incredible
Hulk himself, in all his "Hullk SMASH!" glory. While stupified
New Yorkers stand in awe, watching the green behemoth trash the downtown
(no one knows who or what he is), Spidey web slings in to try and stop
the Hulk. One really great panel is just a shot of Ben looking back at
the table he had just shared with Peter a few seconds earlier, now empty
except for the trig book. The almost earthquake like rumbles from
outside drove everyone into the streets to see, but Peter the book worm
that he was leaves the trig behind.
The Funny: Spidey with a taxi on his
shoulder, "Candygram for Mr. Mongo..." This is a great little
one-liner, but ONLY if you've ever seen the Mel Brooks movie, Blazing
Saddles. A few panels later, Spidey looks up at the towering Hulk and
says, "Hey, listen man, don't make me angry...you wouldn't like me
when I'm angry." A little homage to Bill Bixby.
The Bad: Phil Hester's pencils, especially
on the fight scenes. Hester keeps the panels simple, not a lot of
details, but there seems to be something missing. The center is a 2 page
spread of the Hulk coming right at Spidey, screaming, arms outstretched.
The proportioning on the scene seems wrong. The Hulk doesn't seem big
enough and Spidey seems to be a little more muscled suddenly than
teenage lanky. It's not until the second to last panel that Hester gives
some real dimension to the size difference between the two of them. The
Ugly: The idea that the Army general calls Ben to tell him the monster
is on his way to Manhattan and suddenly he's there! If they were chasing
him from Nevada, why not Chicago? Why not head south to Houston? Instead
he goes state hopping straight to New York. (Yeah, I know why NY: if the
Hulk had gone somewhere else, Spidey wouldn't be there to battle him.)
But all that happens within seconds. There's no time passage. It's just
BOOM!
The Rating: This was my first look at the
Ultimate Spider-Man. I'm more of a traditional Spidey fan, but I was
impressed with what I've seen so far. I give it out
of four Spidey heads.
Reviewed by Spider-Woman
Ultimate
Marvel Team Up #1
Plot: Spider-Man happens upon Sabretooth
and Wolverine hacking each other to pieces. Spiderman confronts the
mutant issue and wonders if he could be a mutant. Then he befriends
Wolverine and as Peter Parker idolizes him. Likes: First let me say I am
normally a huge fan of Matt Wagners art. His Mage and Grendel work are
legendary. In this comic at times he reaches near that level at times
and then seems to rush through the rest of the page. So I'd say I liked
the good and was disappointed in the bad. Secondly, I am really enjoying
the level of hysteria reintroduced around mutants. The abundance of
mutants in the regular X-books tend to make then commonplace and almost
acceptable in normal society. I like that the issue of prejudice are
carried over in this comic from the other Ultimate titles. Also I felt
that Spiderman and Wolverine acted well within their characters and
played well off each other.
Dislikes: I already my disappointment with
some of the artwork. I believe if some of the panels weren't so good you
wouldn't notice as much the really poor ones. Second, I hated Sabretooth
here. He showed no motivation and really could have been substituted for
any villain. He was just their to pick on Wolverine and draw Spiderman's
attention. Villains should add to the story not just be punching bags.
Rating: With the high quality writing and art in the other titles
it is just sad that this one is starting off so poorly. The really good
news is next month you get a new art team and maybe the writing will
improve as it goes along.
I would have to give this issue
out of four web heads
Reviewed by Den Dotson |